On Christians singing worship via secular liturgies

How close does the corporate worship singing in your church mimic a secular concert? Does it matter?

From An Open Letter to Praise Bands,

…I sometimes worry that we’ve unwittingly encouraged you [praise bands] to import certain forms of performance that are, in effect, “secular liturgies” and not just neutral “methods.” Without us realizing it, the dominant practices of performance train us to relate to music (and musicians) in a certain way: as something for our pleasure, as entertainment, as a largely passive experience. The function and goal of music in these “secular liturgies” is quite different from the function and goal of music in Christian worship.

And then, these axioms,

1. If we, the congregation, can’t hear ourselves, it’s not worship. Christian worship is not a concert…

2. If we, the congregation, can’t sing along, it’s not worship…

3. If you, the praise band, are the center of attention, it’s not worship…

…This isn’t just some plea for “traditional” worship and a critique of “contemporary” worship. Don’t mistake this as a defense of pipe organs and a critique of guitars and drums (or banjos and mandolins). My concern isn’t with style, but with form: What are we trying to do when we “lead worship?” If we are intentional about worship as a communal, congregational practice that brings us into a dialogical encounter with the living God–that worship is not merely expressive but also formative–then we can do that with cellos or steel guitars, pipe organs or African drums.

Read it all.

At what point does our worship singing methodology fall in line with the purpose of worship? For that matter, what is the purpose of worship? To energize the singers, individually, so they leave the service feeling better or happier than when they entered? How does a passion for Christ manifest itself in our singing – our corporate singing?

Filed under: Evangelicals • Music • Rusty

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